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5. agrōpaharaṇīyādhyāyaḥ

Adhikarana 3 (4) · Śloka 4

asya tu śāstrasya śastrakarmaprādhānyācchastrakarmaiva tāvat pūrvamupadēkṣyāmastatsambhārāṁśca ||4||

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अस्य तु शास्त्रस्य शस्त्रकर्मप्राधान्याच्छस्त्रकर्मैव तावत् पूर्वमुपदेक्ष्यामस्तत्सम्भारांश्च ||४||

Meaning of the śloka

Because procedures performed with surgical instruments have a central place in this text, we shall first explain those procedures and the supplies they require.

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nanu, chēdyādīnāṁ karmaṇāṁ tatsambhārāṇāmēva cātra pūrvamupādānaṁ, kutō na snēhādīnāṁ tatkarmaṇāṁ cētyāha- asya tu śāstrasyētyādi||4||

Meaning of the commentary

This answers why procedures such as excision and their supplies are introduced first, rather than oleation and the materials and procedures associated with it: surgical work is the principal concern of this text.

Key terms

shastrakarma (śastrakarma)
A procedure performed with surgical instruments.

Adhikarana 8 (9) · Śloka 9

bhavataścātra- āyataśca viśālaśca suvibhaktō nirāśrayaḥ | prāptakālakr̥taścāpi vraṇaḥ karmaṇi śasyatē ||9||

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भवतश्चात्र- आयतश्च विशालश्च सुविभक्तो निराश्रयः | प्राप्तकालकृतश्चापि व्रणः कर्मणि शस्यते ||९||

Meaning of the śloka

For operative work, the text commends a vrana that is elongated and broad, clearly defined, free from an unfavourable site, and made at the appropriate time.

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amumēvārthaṁ ślōkēna sphuṭīkurvannāha- āyataścētyādi| ēvaṁ vidhō vraṇaḥ śastrakarmaṇi praśasyatē| āyataśca viśālaścēti dvicakārēṇa āyatō'pi viśālō'pi āyataviśala iti pratipāda yati| nirāśrayō marmādyanāśritaḥ; ‘nirāśaya’ ityanyē, tatrānanuṣaṅgītyarthaḥ| prāptakālakr̥taścāpīti yuktē kālē kr̥taḥ; ētēna śastrakṣārāgnisādhyō bālavr̥ddhayōraprāptakālaḥ, tayōrvraṇē śastrādiniṣēdhāt; athavā śītakālē'gnisādhyō vraṇaḥ, grīṣmē sa ēvā prāptakālaḥ| anyē tu ‘yuktakālakr̥taḥ’ iti paṭhanti; tatra samapāka ityācakṣatē, yuktakālakr̥taḥ samyakpākakr̥tapratikriya ityaparē| āyataśca viśālaścētyādiślōkaṁ kēcinna paṭhanti||9||

Meaning of the commentary

The verse restates the preceding description. The repeated conjunction allows an elongated wound, a broad wound, or one possessing both features. Nirashraya is explained as not involving marmas and similar structures. Some read nirashaya, interpreted as not remaining adherent there. Appropriate timing is illustrated by restrictions on procedures using instruments, kshara or fire in children and older people; another example contrasts the cold season with summer for a lesion considered suitable for fire treatment. Some read yuktakalakrita and explain it as uniform suppuration; others as treatment performed when suppuration has properly occurred. Some textual traditions omit this verse.

Key terms

prAptakAlakRutaH (prāptakālakṛtaḥ)
Performed at an appropriate time, with different explanations preserved in the commentary.

Adhikarana 10 (11-12) · Śloka 12

ēkēna vā vraṇēnāśudhyamānē nā'ntarā buddhyā'vēkṣyāparān vraṇān kuryāt ||11|| bhavati cātra- yatō yatō gatiṁ vidyādutsaṅgō yatra yatra ca | tatra tatra vraṇaṁ kuryādyathā dōṣō na tiṣṭhati ||12||

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एकेन वा व्रणेनाशुध्यमाने नाऽन्तरा बुद्ध्याऽवेक्ष्यापरान् व्रणान् कुर्यात् ||११|| भवति चात्र- यतो यतो गतिं विद्यादुत्सङ्गो यत्र यत्र च | तत्र तत्र व्रणं कुर्याद्यथा दोषो न तिष्ठति ||१२||

Meaning of the śloka

If a lesion is not cleared through a single opening, the passage calls for careful assessment and further openings where needed. Wherever a tract or a recess is found, it describes making an opening so that the offending material does not remain.

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aśuddhāvanyē'pi vraṇāḥ kāryā ityāha- ēkēna vā vraṇēnētyādi| nā puruṣaḥ| antarā madhyē| bhavati cātrētyādi| gatiṁ nāḍīm| utsaṅga ivōtsaṅgaḥ vraṇāśayē hi cirakālapūyāvasthānēnāmamavadāritamantaḥpradēśāntaraṁ nimnamutsaṅgatulyatvādutsaṅga ityucyatē; ut ūrdhvaṁ pūyasya saṅga utsaṅga ityanyē| yathā dōṣō na tiṣṭhatīti| dōṣō'tra pūyaḥ; pūyāvasthānād vātādayō dōṣā anubadhnantīti pūya ēva dōṣaśabdēnōcyatē, kāraṇē kāryōpacārāt||11-12||

Meaning of the commentary

Further openings are discussed when the first does not permit clearance. The commentator explicitly glosses na as 'the person' and antara as 'within'. Gati means a nadi tract. Utsanga is first explained as a depressed internal recess formed when pus remains for a long time and breaks down surrounding unripe tissue, resembling a hollow or lap. Another interpretation derives it from pus collecting above. Dosha here specifically means pus: retained pus leads to the involvement of vata and the other doshas, so the effect's name is applied to its cause.

Key terms

gatiM (gatim)
A tract, glossed as nadi.
utsa~ggaH (utsaṅgaḥ)
An internal recess retaining pus; alternatively a collection above.
doShaH (doṣaḥ)
Pus in this passage, according to the commentary.

Adhikarana 12 (16) · Śloka 16

mūḍhagarbhōdarārśō'śmarībhagandaramukharōgēṣvabhuktavataḥ karma kurvīta ||16||

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मूढगर्भोदरार्शोऽश्मरीभगन्दरमुखरोगेष्वभुक्तवतः कर्म कुर्वीत ||१६||

Meaning of the śloka

For procedures concerning mudhagarbha, udara, arshas, ashmari, bhagandara and diseases of the mouth, the text specifies a patient who has not eaten.

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bhuktavataḥ karma kurvītētyuktaṁ, tasya viṣayāntarē pratiṣēdhaṁ darśayannāha- mūḍhagarbhētyādi|- mūḍhagarbhādiṣu ṣaṭsvannapūrṇakōṣṭhatvādyantradānādibhiḥ kaṣṭaṁ maraṇaṁ vā prāpnōtyāturaḥ, anilaśca prakōpamēti; mukharōgēṣvāhārō'ṅgulyādipīḍanēna ghr̥ṇayā ca niṣkāśitaḥ karmaghātaṁ karōti||16||

Meaning of the commentary

This limits the earlier instruction concerning a patient who has eaten. The commentator states that a full digestive tract, together with application of instruments and related actions in these conditions, may produce severe distress or death and aggravate anila. In diseases of the mouth, food expelled through pressure from a finger or another instrument, or through disgust, may obstruct the procedure.

Key terms

abhuktavataH (abhuktavataḥ)
Of a patient who has not eaten before the procedure described.
anilaH (anilaḥ)
Vata in this explanation of procedural difficulty.

Adhikarana 15 (19-33) · Śloka 33

udakumbhāccāpō gr̥hītvā prōkṣayan rakṣākarma kuryāt; tadvakṣyāmaḥ- ||19|| kr̥tyānāṁ pratighātārthaṁ tathā rakṣōbhayasya ca | rakṣākarma kariṣyāmi brahmā tadanumanyatām ||20|| nāgāḥ piśācā gandharvāḥ pitarō yakṣarākṣasāḥ | abhidravanti yē yē tvāṁ brahmādyā ghnantu tān sadā ||21|| pr̥thivyāmantarīkṣē ca yē caranti niśācarāḥ | dikṣu vāstunivāsāśca pāntu tvāṁ tē namaskr̥tāḥ ||22|| pāntu tvāṁ munayō brāhmayā divyā rājarṣayastathā | parvatāścaiva nadyaśca sarvāḥ sarvē ca sāgarāḥ ||23|| agnī rakṣatu tē jihvāṁ prāṇān vāyustathaiva ca | sōmō vyānamapānaṁ tē parjanyaḥ parirakṣatu ||24|| udānaṁ vidyutaḥ pāntu samānaṁ stanayitnavaḥ | balamindrō balapatirmanurmanyē matiṁ tathā ||25|| kāmāṁstē pāntu gandharvāḥ sattvamindrō'bhirakṣatu | prajñāṁ tē varuṇō rājā samudrō nābhimaṇḍalam ||26|| cakṣuḥ sūryō diśaḥ śrōtrē candramāḥ pātu tē manaḥ | nakṣatrāṇi sadā rūpaṁ chāyāṁ pāntu niśāstava ||27|| rētastvāpyāyayantvāpō rōmāṇyōṣadhayastathā | ākāśaṁ khāni tē pāntu dēhaṁ tava vasundharā ||28|| vaiśvānaraḥ śiraḥ pātu viṣṇustava parākramam | pauruṣaṁ puruṣaśrēṣṭhō brahmā''tmānaṁ dhruvō bhruvau ||29|| ētā dēhē viśēṣēṇa tava nityā hi dēvatāḥ | ētāstvāṁ satataṁ pāntu dīrghamāyuravāpnuhi ||30|| svasti tē bhagavān brahmā svasti dēvāśca kurvatām | (svasti tē candrasūryau ca svasti nāradaparvatau) | svastyagniścauva vāyuśca svasti dēvāḥ sahēndragāḥ ||31|| pitāmahakr̥tā rakṣā svastyāyurvardhatāṁ tava | ītayastē praśāmyantu sadā bhava gatavyathaḥ ||32|| iti svāhā | ētairvēdātmakairmantraiḥ kr̥tyāvyādhivināśanaiḥ | mayaivaṁ kr̥tarakṣastvaṁ dīrghamāyuravāpnuhi ||33||

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उदकुम्भाच्चापो गृहीत्वा प्रोक्षयन् रक्षाकर्म कुर्यात्; तद्वक्ष्यामः- ||१९|| कृत्यानां प्रतिघातार्थं तथा रक्षोभयस्य च | रक्षाकर्म करिष्यामि ब्रह्मा तदनुमन्यताम् ||२०|| नागाः पिशाचा गन्धर्वाः पितरो यक्षराक्षसाः | अभिद्रवन्ति ये ये त्वां ब्रह्माद्या घ्नन्तु तान् सदा ||२१|| पृथिव्यामन्तरीक्षे च ये चरन्ति निशाचराः | दिक्षु वास्तुनिवासाश्च पान्तु त्वां ते नमस्कृताः ||२२|| पान्तु त्वां मुनयो ब्राह्मया दिव्या राजर्षयस्तथा | पर्वताश्चैव नद्यश्च सर्वाः सर्वे च सागराः ||२३|| अग्नी रक्षतु ते जिह्वां प्राणान् वायुस्तथैव च | सोमो व्यानमपानं ते पर्जन्यः परिरक्षतु ||२४|| उदानं विद्युतः पान्तु समानं स्तनयित्नवः | बलमिन्द्रो बलपतिर्मनुर्मन्ये मतिं तथा ||२५|| कामांस्ते पान्तु गन्धर्वाः सत्त्वमिन्द्रोऽभिरक्षतु | प्रज्ञां ते वरुणो राजा समुद्रो नाभिमण्डलम् ||२६|| चक्षुः सूर्यो दिशः श्रोत्रे चन्द्रमाः पातु ते मनः | नक्षत्राणि सदा रूपं छायां पान्तु निशास्तव ||२७|| रेतस्त्वाप्याययन्त्वापो रोमाण्योषधयस्तथा | आकाशं खानि ते पान्तु देहं तव वसुन्धरा ||२८|| वैश्वानरः शिरः पातु विष्णुस्तव पराक्रमम् | पौरुषं पुरुषश्रेष्ठो ब्रह्माऽऽत्मानं ध्रुवो भ्रुवौ ||२९|| एता देहे विशेषेण तव नित्या हि देवताः | एतास्त्वां सततं पान्तु दीर्घमायुरवाप्नुहि ||३०|| स्वस्ति ते भगवान् ब्रह्मा स्वस्ति देवाश्च कुर्वताम् | (स्वस्ति ते चन्द्रसूर्यौ च स्वस्ति नारदपर्वतौ) | स्वस्त्यग्निश्चौव वायुश्च स्वस्ति देवाः सहेन्द्रगाः ||३१|| पितामहकृता रक्षा स्वस्त्यायुर्वर्धतां तव | ईतयस्ते प्रशाम्यन्तु सदा भव गतव्यथः ||३२|| इति स्वाहा | एतैर्वेदात्मकैर्मन्त्रैः कृत्याव्याधिविनाशनैः | मयैवं कृतरक्षस्त्वं दीर्घमायुरवाप्नुहि ||३३||

Meaning of the śloka

The passage describes a protective rite performed while sprinkling water from a vessel. The practitioner announces the rite against harmful rites and fear of rakshasas, seeking Brahma's assent. Brahma and the other deities are invoked against beings that afflict the patient, while beings of the earth, atmosphere, directions and dwelling are respectfully asked to protect. Sages, divine and royal seers, mountains, rivers and oceans are also invoked. The prayer assigns protection of the tongue to Agni, pranas to Vayu, vyana to Soma, apana to Parjanya, udana to lightning and samana to thunder. Indra is asked to protect strength; Manu is invoked in connection with manye and understanding. Gandharvas protect desires, Indra sattva, Varuna discernment, and the ocean the navel region. The sun protects sight, the directions hearing, the moon the mind, the stars beauty and the nights the body's lustre. Waters are asked to nourish semen and plants the hairs; space protects the openings and earth the body. Vaishvanara protects the head, Vishnu capability, the foremost Purusha paurusha, Brahma the self, and Dhruva the eyebrows. These deities, described as continually present in the body, are asked to grant protection and long life. The concluding blessings invoke Brahma and the gods, with a parenthesized blessing from the sun, moon, Narada and Parvata, and pray for well-being, longevity, an end to calamities and freedom from suffering. The practitioner closes with svaha and a wish for long life through this protection by mantras described as Vedic and as dispelling harmful rites and disease.

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idānīṁ vraṇitasya śōṇitapūyādisambhavādrakṣōbhayaparihārārthaṁ rakṣākarma nidarśayannāha- udakumbhāccētyādi|- udakumbhāt pānīyakumbhāt, āpaḥ jalaṁ, gr̥hītvā ādāya, prōkṣayan pramārjayan| rakṣākarmanirdiṣṭapadānāṁ mantratvādvivaraṇaṁ na karaṇīyamiti kēcit; anyē tu vyākhyānayanti|- kr̥tyānāmiti kupitamantriṇō'bhicārakarmajanitā rākṣasī ‘kr̥tyā’ ityucyatē| pratighātārthaṁ nivāraṇārtham, atra ‘parirakṣārthaṁ’ iti kēcit paṭhanti| tathā rakṣōbhayasya cēti rākṣasabhayasya ca pratighātārthamityarthaḥ| brahmā tadanumanyatāmiti tadrakṣākarma brahmā aṅgīkarōtu| nāgā ityādi| yē yē nāgādayastvāmabhidravanti pīḍayanti tān brahmādyā dēvā ghnantviti piṇḍārthaḥ| tatra nāgāḥ vāsukyādayaḥ, piśācāḥ piśitāśanāḥ, gandharvāḥ dēvagāyanā hāhāhūhūprabhr̥tayaḥ, pitaraḥ agniṣvāttādayaḥ, yakṣāḥ dhanadādayaḥ, rakṣasāḥ rāvaṇaprabhr̥tayaḥ| dikṣvityatra yē carantīti sambadhyatē| vāstunivāsāḥ gr̥habhūminivāsinaḥ| prāṇāniti agniḥ sōmō vāyuḥ sattvaṁ rajastamaḥ pañcēndriyāṇi bhūtātmēti prāṇāḥ, atra dvādaśaprāṇēṣu madhyē sāmānyavātavācyō'pi vātaśabdaḥ prāṇākhyē vātaviśēṣē vartatē; kutaḥ? caturṇāṁ vyānādīnāmagrē vakṣyamāṇatvāt| sōmaḥ candramāḥ| tē tava| parjanyaḥ vr̥ṣṭimān mēghaḥ, indra ityanyē| stanayitnavaḥ mēghāḥ| balapatiriti indrasya viśēṣaṇam| manuḥ prajāpatiḥ, manyē grīvāpaścimabhāgāśritē dvē sirē ‘manyē’ ityucyētē, matiṁ tathā sa ēva manurmatiṁ rakṣatviti sambandhaḥ; ‘tathā manurmatiṁ rakṣatu’ ityahaṁ manyē, iti vyākhyānayanti kēcit| sattvaṁ guṇaviśēṣaḥ| manaḥ cittam| rūpamiha lāvaṇyaṁ vivakṣitaṁ, yatparyāyaḥ saundaryam| chāyā prabhābhēdaḥ; taduktam- “āsannā lakṣyatē chāyā prabhā dūrāt prakāśatē” (ca. i. a. 7)- iti| rētaḥ śukram, āpaḥ pānīyāni, āpyāyayantu vardhayantu| khāni srōtāṁsi, indriyāṇītyanyē| parākramaḥ sāmarthyam| pauruṣaṁ mēḍhraṁ, puruṣaśrēṣṭhaḥ nārāyaṇaḥ| ātmānaṁ jīvam| dhruvaḥ tārāviśēṣaḥ| ētāḥ pūrvōktā dēvatāḥ, nityāḥ satatasthitāḥ| svasti tē bhagavān brahmēti svasti maṅgalaṁ, bhagavān viśiṣṭajñānavān, dēvāḥ sahēndragā indrānuyāyina ityarthaḥ| pitāmahaḥ brahmā| ītayaḥ annādikṣayahētavō'tivr̥ṣṭyādayaḥ; taduktam- “ativr̥ṣṭiranāvr̥ṣṭirmūṣikāḥ śalabhāḥ khagāḥ| svacakraṁ paracakraṁ ca saptaitā ītayaḥ smr̥tāḥ”- iti||19-33||

Meaning of the commentary

The rite is introduced in response to fear of rakshasas associated with blood, pus and similar wound conditions. Some authorities hold that the words should not be explained because they are mantras; others provide the explanation that follows. Kritya is interpreted as a harmful female being produced through a hostile practitioner's ritual. An alternative wording speaks of protection rather than repelling. Brahma's assent means acceptance of the rite. The commentary identifies nagas with beings such as Vasuki, pishachas as flesh-eaters, gandharvas as divine singers, pitrs with groups such as the Agnishvattas, yakshas with figures such as Dhanada, and rakshasas with figures such as Ravana. Beings of the dwelling inhabit the house site. Prana is discussed through a list of twelve vital principles, but Vayu's role here is taken specifically as the prana division of vata because the other four divisions are named next. Soma is the moon; Parjanya is a rain-bearing cloud, or Indra according to others; and stanayitnu denotes clouds. Manu is Prajapati. One reading understands manye as the two siras at the back of the neck and also assigns protection of understanding to Manu; another takes manye as 'I think', rather than as anatomical wording. Rupa means beauty, and chaya a kind of lustre, distinguished from prabha as visible nearby rather than from afar. Retas is semen. Kha is interpreted as bodily channels, or alternatively the senses. Parakrama means capability; paurusha is glossed as the penis; the foremost Purusha as Narayana; atman as the living self; and Dhruva as a particular star. The deities are described as continually present. Svasti means auspicious well-being. The calamities mentioned at the end are illustrated as excessive rain, drought, rodents, locusts, birds, and one's own or an opposing army, all associated with destruction of food and other resources.

Key terms

rakShAkarma (rakṣākarma)
The protective rite described in this passage.
kRutyA (kṛtyā)
A harmful being attributed by the commentary to hostile ritual activity.
manye
Read either as two neck siras or as 'I think' in the alternative explanation.
ItayaH (ītayaḥ)
Calamities destructive of food and other resources.

Adhikarana 19 (37) · Śloka 37

ata ūrdhvaṁ dōṣakālabalādīnavēkṣya kaṣāyālēpanabandhāhārācārān vidadhyāt ||37||

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अत ऊर्ध्वं दोषकालबलादीनवेक्ष्य कषायालेपनबन्धाहाराचारान् विदध्यात् ||३७||

Meaning of the śloka

After this, decoctions, external applications, bandaging, diet and conduct are to be selected with consideration of dosha, season, strength and other relevant factors.

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ata ūrdhvamityādi| ata ūrdhvaṁ tr̥tīyadivasānantaraṁ, dōṣāḥ vātādayaḥ, kālaḥ hēmantādikaḥ, balaṁ hīnamadhyamōttamam, ādiśabdād vayaḥsātmyādīni, avēkṣya parīkṣya, vidadhyāt kuryāt yāvadvraṇasaṁrōhaṇaṁ bhavati| anyē tvanyathā paṭhanti- ‘ata ūrdhvaṁ dōṣakālabalādīnyavēkṣya kaṣāyādīn vidadhyāt’- iti, vyākhyānayanti ca- ata ūrdhvamiti tr̥tīyabandhādanantaraṁ caturthabandhē dōṣādīni parīkṣya kaṣāyādīn vidadhyāt; kaṣāyādīnityādiśabdāt kalkasnēhādīnāṁ grahaṇam||37||

Meaning of the commentary

The first explanation understands 'after this' as after the third day. Doshas are vata and the others; seasons begin with hemanta; strength is low, moderate or high. Age, suitability through habituation and similar factors are also included. These are assessed while treatment continues until healing. Another reading shortens the list to 'decoctions and so on' and understands the time as the fourth bandaging, after the third. In that reading, the inclusive phrase also covers pastes and unctuous substances.

Key terms

sAtmya (sātmya)
Suitability or accustomed tolerance considered when choosing the regimen.

Adhikarana 21 (39) · Śloka 39

bhavanti cātra- tasmādantarbahiścaiva suśuddhaṁ rōpayēdvraṇam | rūḍhē'pyajīrṇavyāyāmavyavāyādīn vivarjayēt | harṣaṁ krōdhaṁ bhayaṁ cāpi yāvat sthairyōpasambhavāt ||39||

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भवन्ति चात्र- तस्मादन्तर्बहिश्चैव सुशुद्धं रोपयेद्व्रणम् | रूढेऽप्यजीर्णव्यायामव्यवायादीन् विवर्जयेत् | हर्षं क्रोधं भयं चापि यावत् स्थैर्योपसम्भवात् ||३९||

Meaning of the śloka

Therefore the text calls for healing a wound only when it is thoroughly clear both internally and externally. Even after closure, it prescribes avoiding indigestion, exertion, sexual activity and related disturbances, as well as excitement, anger and fear, until the healed site has become firm.

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bhavanti cātrētyādi| suśuddhamiti bahirabhyantaraṁ ca| tatrābhyantaraśuddhilakṣaṇaṁ vātādivēdanāpagamaḥ; bahiḥśuddhilakṣaṇaṁ viśuddhavarṇarasasthānagandhāścatvāraḥ| kēcit ‘harṣaṁ krōdhaṁ bhayaṁ’ ityādi ślōkaṁ na paṭhanti, vyavāyādīnityādiśabdācca bhayaharṣādīni gr̥hṇanti||39||

Meaning of the commentary

Internal clearance is indicated by the disappearance of pain associated with vata and the other doshas. External clearance is described through four features: appropriate colour, rasa, condition or site, and smell. Some textual traditions omit the words beginning with excitement, anger and fear, but include these through the earlier phrase 'sexual activity and so on'.

Key terms

sushuddham (suśuddham)
Thoroughly clear, both internally and externally, in the stated wound assessment.