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7. yantravidhyadhyāyaḥ

Adhikarana 12 (13) · Śloka 13

nāḍīyantrāṇi - anēkaprakārāṇi, anēkaprayōjanāni, ēkatōmukhānyubhayatōmukhāni ca; tāni srōtōgataśalyōddharaṇārthaṁ, rōgadarśanārtham, ācūṣaṇārthaṁ, kriyāsaukaryārthaṁ cēti; tāni srōtōdvārapariṇāhāni, yathāyōgadīrghāṇi ca | tatra bhagandarārśōvraṇabastyuttarabastimūtravr̥ddhidakōdaradhūmaniruddhaprakaśasanniruddhagudayantrāṇyalābūśr̥ṅgayantrāṇi cōpariṣṭādvakṣyāmaḥ ||13||

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नाडीयन्त्राणि - अनेकप्रकाराणि, अनेकप्रयोजनानि, एकतोमुखान्युभयतोमुखानि च; तानि स्रोतोगतशल्योद्धरणार्थं, रोगदर्शनार्थम्, आचूषणार्थं, क्रियासौकर्यार्थं चेति; तानि स्रोतोद्वारपरिणाहानि, यथायोगदीर्घाणि च | तत्र भगन्दरार्शोव्रणबस्त्युत्तरबस्तिमूत्रवृद्धिदकोदरधूमनिरुद्धप्रकशसन्निरुद्धगुदयन्त्राण्यलाबूशृङ्गयन्त्राणि चोपरिष्टाद्वक्ष्यामः ||१३||

Meaning of the śloka

Nadi instruments have many forms and purposes, with an opening at one end or at both ends. Their stated uses are extracting foreign bodies from channels, viewing disease, suction and making procedures easier. Their girth corresponds to the channel opening, and their length suits the particular use. Instruments for bhagandara, arshas, wounds, basti, uttarabasti, mutravriddhi, dakodara, dhuma, niruddhaprakasha and sanniruddhaguda, together with alabu and shringa instruments, will be described later.

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nāḍīyantrāṇyapītyādi| nāḍī(lī)yantrāṇīti nāḍī(lī)vanmadhyacchidrāṇi| ēkatōmukhāni raktāharaṇārthānyalābūbhagandarārśōyantrādīni; ubhayatōmukhāni bastyuttarabastidhūmayantrādīni| tāni srōtōgataśalyōddharaṇārthamiti tāni nāḍīyantrāṇi srōtōgataśalyōddharaṇaprayōjanāni; tathāhi- ‘lākṣāśalyē kaṇṭhāsaktē kaṇṭhē nāḍīṁ dattvā taptayā lōhaśalākayā''karṣayēt’- (sū. a. 27) ityādikam| rōgadarśanārthamiti rōgā ābhyantarārśaḥprabhr̥tayaḥ| ācūṣaṇārthamiti asthigatavāyōrduṣṭaraktastanyayōrākarṣa(cūṣa)ṇārtham| kriyāsaukaryārthamiti ābhyantarārśaḥprabhr̥tiṣu śastrakṣārāgnyādikriyāyāḥ sukaratvāya sukhakaraṇāyētyarthaḥ| tāni srōtōdvārapariṇāhānīti vartulatvēna srōtōdvāratulyāni| nanu, ‘viṁśatirnāḍyaḥ’ iti pūrvamēvōktaṁ, iha tu bhagandarārśōvraṇētyādinā nāḍīyantrāṇyalābuśr̥ṅgāntāni dvādaśa, tat kathaṁ viṁśatiḥ pūryatē? ucyatē , bhagandarayantrē dvē ēkamēkacchidram, aparaṁ dvicchidram; arśōyantrē api dvē ēkacchidradvicchidrabhēdēna; vraṇayantramēkaṁ vraṇacchidrāyāmapariṇāhaṁ; bastinētraṁ caturvidhaṁ vayōbhēdēna, anyē trividhamāhuḥ; uttarabastinētraṁ dvividhaṁ puṁsāṁ strīṇāṁ ca, ēkē trividhamāhuḥ; mūtravr̥ddhidakōdarayōrdvē-mūtravr̥ddhisrāvaṇārthamēkaṁ, dakōdarasrāvaṇārthaṁ caikaṁ; dhūmanētrāṇi trīṇi ēkaṁ vairēcanikam, aparaṁ snaihikam, anyacca prāyōgikaṁ; niruddhaprakaśayantramēkaṁ; sanniruddhagudayantramēkam; alābuyantramēkaṁ, śr̥ṅgayantramēkam; ēvaṁ viṁśatirnāḍīyantrāṇi||13||

Meaning of the commentary

Nadi instruments are hollow in the middle like a tube. Examples classed as one-ended include alabu used for drawing blood and instruments for bhagandara and arshas; two-ended examples include basti, uttarabasti and dhuma instruments. For extraction from a channel, the commentator cites the text's example of a lac foreign body lodged in the throat, in which a tube is placed in the throat and a heated iron probe is used to draw it out. Viewing disease includes viewing internal arshas. Suction includes drawing out vayu lodged in bone, vitiated blood and breast milk. Facilitating procedures refers to making shastra, kshara and agni procedures easier in internal arshas and similar conditions. The instruments' rounded girth is to correspond to the channel opening. To reconcile the twelve named categories with the previously stated twenty instruments, the commentator enumerates two for bhagandara, with one and two apertures; two for arshas on the same distinction; one wound instrument matched to the opening's length and girth; four basti nozzles according to age, though others count three; two uttarabasti nozzles for males and females, though some count three; one each for draining mutravriddhi and dakodara; three dhuma nozzles, for vairechanika, snaihika and prayogika uses; and one each for niruddhaprakasha, sanniruddhaguda, alabu and shringa. This is the supplied explanation of the total of twenty.

Key terms

nADIyantrANi (nāḍīyantrāṇi)
Tubular instruments hollow in the middle, serving the different purposes enumerated here.
AcUShaNa (ācūṣaṇa)
Drawing out by suction.
kriyAsaukarya (kriyāsaukarya)
Making the specified procedure easier to perform.
srotodvAra (srotodvāra)
A channel opening to which the instrument's girth is matched.

Adhikarana 15 (17) · Śloka 17

yantrakarmāṇi tu- nirghātanapūraṇabandhanavyūhanavartanacālanavivartanavivaraṇapīḍanamārgaviśōdhanavikarṣaṇāharaṇāñchanōnnamana- vinamanabhañjanōnmathanācūṣaṇaiṣaṇadāraṇarjūkaraṇaprakṣālanapradhamanapramārjanāni caturviṁśatiḥ ||17||

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यन्त्रकर्माणि तु- निर्घातनपूरणबन्धनव्यूहनवर्तनचालनविवर्तनविवरणपीडनमार्गविशोधनविकर्षणाहरणाञ्छनोन्नमन- विनमनभञ्जनोन्मथनाचूषणैषणदारणर्जूकरणप्रक्षालनप्रधमनप्रमार्जनानि चतुर्विंशतिः ||१७||

Meaning of the śloka

The twenty-four functions of instruments are dislodging, filling, binding, separating or rearranging, making rounded, moving, turning, opening, pressing, clearing a passage, pulling free, bringing out, drawing slightly toward an opening, raising, lowering, breaking or crushing, stirring, suction, probing, splitting, straightening, washing, blowing in, and wiping.

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kāni punaryantrāṇāṁ karmāṇītyāha- yantrakarmāṇi tvityādi| nirghātanam itaścētaśca vicālya nirharaṇam, itaścētaśca ghaṭṭanamityēkē; pūraṇaṁ bastinētraprabhr̥tibhistailādinā; bandhanaṁ rajjvādinā; vyūhanam atraivādhyāyē vyākhyātaṁ prāk; vartanaṁ visr̥tasya vartulīkaraṇaṁ; cālanaṁ sthānāt sthānāntaranayanam, anyē śalyakampanamāhuḥ; vivartanaṁ karṇavāyōrniṣkāsayitumiṣṭasya karṇalagnasya punarnivartanam, anyē yantrasya bhrāmaṇamantarē vā; vivaraṇaṁ prakāśanaṁ, māṁsacchēdāvakāśadānēna vivaraṇamityēkē, ‘vivaraṇaṁ prasāraṇam’ iti lakṣmaṇaṭippaṇakēnōktaṁ; pīḍanaṁ vraṇasya pūyādinirgamanārthamaṅgulyādinā; mārgaviśōdhanaṁ mūtrapurīṣasaṅgē; vikarṣaṇaṁ vigr̥hya karṣaṇama, anyē māṁsādipratibaddhaśalyasya mōcanamāhuḥ; āharaṇamānayanam; āñchanam īṣanmukhānayanam, īṣanmukhē ānayanamityarthaḥ; unnamanamadhaḥsthitasya śarakarṇādērūrdhvaṁ nayanaṁ; vinamanaṁ nimnī(namrī)karaṇaṁ; bhañjanaṁ śarakarṇādērāmardanaṁ, samantatō mardanamityanyē; unmathanaṁ pranaṣṭasya śalyasya mārgē śalākādibhirālōḍanam; ācūṣaṇaṁ viṣaduṣṭastanyarudhirēṣu śr̥ṅgālābūbhyāṁ mukhēna vā; ēṣaṇaṁ gaṇḍūpadamukhēna gativraṇōtsaṅgaśalyādīnāṁ; dāraṇaṁ śarakarṇādidvidhākaraṇam; r̥jūkaraṇaṁ kuṭilaśalyasya; prakṣālanaṁ tōyādibhirvraṇōtsaṅgādīnāṁ; pradhamanaṁ ślēṣmaśalyasaṅgē nāsikāyāṁ nāḍyā cūrṇakṣēpaṇaṁ; pramārjanaṁ prōñchanaṁ bālāṅgulivastrairakṣirajaḥśalyādiṣu||17||

Meaning of the commentary

Nirghatana is removal after moving something from side to side; some explain it as striking or jolting from side to side. Purana is filling with oil and similar substances through instruments such as a basti nozzle. Bandhana is tying with a cord or similar material. Vyuhana has already been explained in this chapter. Vartana makes something spread out into a rounded form. Chalana moves something from one place to another; others call it shaking a foreign body. Vivartana is turning back an object lodged in the ear when its removal is intended; others explain it as rotating an instrument, including within a cavity. Vivarana makes something accessible or visible; some explain it as creating room for an incision into flesh, while Lakshmana's annotation calls it spreading open. Pidana presses a wound with a finger or similar means to discharge pus and other material. Margavishodhana clears a passage when urine or stool is obstructed. Vikarshana is grasping and pulling; others explain it as freeing a foreign body caught in flesh or similar tissue. Aharana is bringing out, and anchana is drawing slightly toward the opening. Unnamana raises a downward-positioned arrow barb or similar object, whereas vinamana bends it downward. Bhanjana is crushing an arrow barb or similar object; others understand pressing it on all sides. Unmathana is stirring along the track of a lost foreign body with a probe or similar instrument. Achushana is suction with a horn, gourd or mouth in cases involving poisoned breast milk or blood. Eshana uses a worm-mouthed instrument to explore sinus tracts, wound recesses and foreign bodies. Darana splits an arrow barb or similar object in two. Rijukarana straightens a bent foreign body. Prakshalana washes wound recesses and similar sites with water or other fluids. Pradhamana introduces powder into the nose through a tube when shleshma or a foreign body causes obstruction. Pramarjana wipes away dust and similar foreign bodies from the eye using hair, a finger or cloth.

Key terms

yantrakarmANi (yantrakarmāṇi)
The functions performed by instruments.
nirghAtanam (nirghātanam)
Dislodging by movement from side to side, alternatively jolting or striking.
eShaNaM (eṣaṇam)
Exploration or probing of tracts, recesses and foreign bodies.
pramArjanaM (pramārjanam)
Wiping away material such as an ocular foreign body.