Skip to content

७. यन्त्रविध्यध्यायः

Adhikarana १३ (१४) · Śloka १४

शलाकायन्त्राण्यपि नानाप्रकाराणि, नानाप्रयोजनानि, यथायोगपरिणाहदीर्घाणि च; तेषां गण्डूपदसर्पफणशरपुङ्खबडिशमुखे द्वे द्वे, एषणव्यूहनचालनाहरणार्थमुपदिश्येते ; मसूरदलमात्रमुखे द्वे किञ्चिदानताग्रे स्रोतोगतशल्योद्धरणार्थं; षट् कार्पासकृतोष्णीषाणि , प्रमार्जनक्रियासु; त्रीणि दर्व्याकृतीनि खल्लमुखानि, क्षारौषधप्रणिधानार्थं ; त्रीण्यन्यानि जाम्बववदनानि, त्रीण्यङ्कुशवदनानि, षडेवाग्निकर्मस्वभिप्रेतानि; नासार्बुदहरणार्थमेकं कोलास्थिदलमात्रमुखं खल्लतीक्ष्णौष्ठं ; अञ्जनार्थमेकं कलायपरिमण्डलमुभयतो मुकुलाग्रं; मूत्रमार्गविशोधनार्थमेकं मालतीपुष्पवृन्ताग्रप्रमाणपरिमण्डलमिति ||१४||

Meaning of the śloka

Shalaka instruments likewise have different forms and purposes, with girth and length suited to their use. Two each have ends shaped like an earthworm, a snake's hood, an arrow's feathered end and a fishhook; these are assigned respectively to probing, lifting or arranging, moving, and extracting. Two have working ends the size of a split lentil with slightly bent tips, for extracting foreign bodies from channels. Six have cotton-wrapped tips for wiping. Three are spoon-shaped with recessed working faces, for placing kshara preparations or medicines. Another three have jambu-fruit-shaped ends and three have hook-shaped ends; these six are intended for agnikarma. One instrument for removing a nasal arbuda has an end the size of a split kola stone, with a recessed centre and a sharp rim. One for applying anjana is round like a kalaya pea and has bud-shaped tips at both ends. One for clearing the urinary passage is rounded and has the dimensions of the tip of a malati flower stalk.

🔊 Audio coming soon

Show commentary

शलाकायन्त्राणि निर्देष्टुमाह- शलाकायन्त्राण्यपीत्यादि| यथायोगपरिणाहदीर्घाणीति परिणाहो वर्तुलता| तेषां शलाकायन्त्राणां मध्ये| गण्डूपदेत्यादौ मुखशब्दो गण्डूपदादिभिः सह प्रत्येकं सम्बध्यते; तेन गण्डूपदमुखे द्वे, सर्पफणमुखे द्वे, एवं शेषयोरपि| शरपुङ्खः शरगुणसन्धानस्थानम्| बडिशो मत्स्यबन्धनम्| तेषां चतुर्णां गण्डूपदमुखादीनां यथासङ्ख्येन प्रयोजनमाह- एषणेत्यादि|- एषणं गम्भीरपाकादौ पूयाद्यन्वेषणं; व्यूहनमूर्ध्वीकरणं छित्त्वोत्तुण्डितस्योद्धरणार्थं, वारङ्गेणानुसरणमित्येके | मसूरदलेति मसूरस्य दलितस्य निस्तुषखण्डं दलमित्युच्यते| किञ्चिदानताग्रे इति मनाग्वक्राग्रे| षट् कार्पासकृतोष्णीषाणीति तूलवेष्टिताग्राणि, प्रमार्जनक्रियासु प्रोञ्छनक्रियासु| त्रीणि दर्व्याकृतीनीति दर्वी दारुहस्तकः| खल्लमुखानि निम्नमुखानि| जाम्बववदनानीति जम्बुफलमुखाकृतीनि| कोलास्थिदलमात्रमुखमिति बदरास्थिमज्जविदलप्रमाणं; खल्लतीक्ष्णौष्ठमिति खल्लं निम्नं मध्ये बोद्धव्यं, तीक्ष्णौष्ठं त्वन्ते| कलायपरिमण्डलमिति कलायमात्रं परितो मण्डलं वर्तुलम्, उभयतो मुकुलाग्रमिति द्वयोरन्तयोः कलिकावदग्रं; दैर्घ्येण त्वष्टाङ्गुलं शालाक्योक्तत्वात्| गण्डूपदमुखादीनामङ्कुशवदनान्तानां शलाकायन्त्राणां तुल्याकृतित्वेऽपि द्वित्वषट्त्वादीनि कार्यापेक्षीणि||१४||

Meaning of the commentary

Parinaha denotes roundness or girth. The word 'mouth' applies separately to earthworm, snake's hood, arrow's rear end and fishhook, with two instruments of each shape. Sharapunkha is the part of an arrow where it is fitted to the bowstring, and badisha is a fishhook. The four uses follow the same order. Eshana is searching for pus and similar material in deep suppuration and related conditions. Vyuhana is lifting upward, in connection with extracting a foreign body cut and made to protrude; some explain it as following along with the handle. A masuradala is a split, huskless portion of a lentil, and a slightly inclined tip is one bent a little. The six cotton-capped instruments have tips wrapped in cotton for wiping. Darvi is a wooden spoon, and khallamukha means a recessed working face. Jambava ends resemble the jambu fruit. The kola-stone comparison refers to the size of a split kernel of the badara stone; its centre is hollowed and its edge sharp. The anjana instrument is round with the measure of a kalaya pea and has a bud-like end at each extremity. Its length is eight angulas, as stated in Shalakya. Even when forms resemble one another, the use determines why two, six or another number of instruments are specified among the earthworm-ended through hook-ended shalakas.

Key terms

shalAkAyantrANi (śalākāyantrāṇi)
Rod- or probe-like instruments with working ends adapted to the listed purposes.
eShaNaM (eṣaṇam)
Probing or searching, exemplified by searching for pus in deep suppuration.
khallamukhAni (khallamukhāni)
Having recessed working faces.
pramArjana (pramārjana)
Wiping, using the cotton-wrapped tips described here.

Adhikarana १४ (१५-१६) · Śloka १६

उपयन्त्राण्यपि- रज्जुवेणिकापट्टचर्मान्तवल्कललतावस्त्राष्ठीलाश्ममुद्गरपाणिपादतलाङ्गुलिजिह्वा- दन्तनखमुखबालाश्वकटकशाखाष्ठीवनप्रवाहणहर्षायस्कान्तमयानि क्षाराग्निभेषजानि चेति ||१५|| एतानि देहे सर्वस्मिन् देहस्यावयवे तथा | सन्धौ कोष्ठे धमन्यां च यथायोगं प्रयोजयेत् ||१६||

Meaning of the śloka

Auxiliary instruments include rope, a plaited cord, a band, a piece of hide, bark, a creeper, cloth, an ashthila stone, a mallet, the palms and soles, fingers, tongue, teeth, nails, mouth, hair, a horse's bridle fitting, a branch, spitting, expulsive effort, joy and a magnet, together with kshara, fire and medicines. These are to be applied as appropriate to the whole body or a particular part, a joint, the koshtha or a dhamani.

🔊 Audio coming soon

Show commentary

उपयन्त्राणि निर्देष्टुमाह- उपयन्त्राण्यपीत्यादि| उपयन्त्राणीति यन्त्रसमीपवर्तीनि, हीनयन्त्राणीत्यन्ये | रज्जुः मुञ्जादिविरचितो गुणः; वेणिका गुणत्रयग्रथिता; चर्मान्तं चर्मावयवः, अत्र `वर्मान्तम्’ इत्येके पठन्ति, वर्म सन्नाहः; वल्कलं पलाशोदुम्बरादीनां त्वक्, सा च भग्नादिबन्धनयन्त्रार्थं; लता प्रतानिनी ‘वेलि’ इति लोके; वस्त्रं कर्पटः; अष्ठीलाश्मेति अष्ठीला दीर्घवर्तुलपाषाणः, अन्ये लौहकाराणां लौहीं दीर्घवर्तुलभाण्डिकामाहुः, तया तुल्योऽश्मा अष्ठीलाश्मा, स चाष्ठीलाश्मा प्रसिद्धः; मुद्गरः काष्ठादिकृतः, अयमस्थिविदष्टशल्यस्य चालनार्थं; पाणिपादतलमिति तलशब्दः पाणिपादाभ्यां सह प्रत्येकं सम्बध्यते; अश्वकटकः घोटककविकाचूडकं, शाखा वृक्षस्य, अनयोः प्रयोजनं शल्यापनयनीये वक्ष्यति; ष्ठीवनं श्लेष्मादिनिरसनं; प्रवाहणं वमनविरेचनाश्रुप्रवर्तनादि यथासङ्ख्यं कफपित्ताक्षिरजःशल्यादिषु; हर्षः तुष्टिः; अयस्कान्तः पाषाणविशेषः, आकर्षकद्रावकचुम्बकभ्रामकभेदाच्चतुर्विधः| इतिशब्दः समाप्तौ, समाप्तानि यन्त्राणीति| स्वभावपाचनप्रमार्जनादयोऽनवबद्धशल्योद्धरणहेतवो रज्ज्वाद्युपयन्त्रेष्वेवान्तर्भूता इति पृथङ्नोक्ताः| तद्यथा- प्रवाहणग्रहणेन तावदश्रुक्षवथुप्रभृतीनामप्यत्र ग्रहणमित्यादिकं बोद्धव्यम्||१५-१६||

Meaning of the commentary

Upayantras are aids associated with instruments; others call them lesser instruments. Rajju is a cord made of munja or similar material, and venika is plaited from three strands. Charmanta is a piece of hide. Some instead read varmanta, where varma means armour. Valkala is bark such as that of palasha or udumbara, used in binding devices for fractures and similar conditions. Lata is a spreading creeper, locally veli, and vastra is cloth. Ashthila is explained as an elongated rounded stone. Others explain the term through a blacksmith's elongated rounded iron implement, with ashthilashma being a stone of that shape. The mallet, made of wood or similar material, is for moving a foreign body embedded in bone. Tala applies separately to the hand and foot. Ashvakataka is a horse's bridle or bit fitting, and shakha a tree branch; their uses are deferred to the chapter on removing foreign bodies. Spitting expels shleshma and similar material. Pravahana includes producing vomiting, purgation and tears, respectively in relation to kapha, pitta and foreign material such as dust in the eye. Harsha means satisfaction or joy. Ayaskanta is a special stone, divided into akarshaka, dravaka, chumbaka and bhramaka types. The concluding iti marks the end of the instrument list. Natural processes, ripening and wiping, which help remove unattached foreign bodies, are included under these auxiliary aids and therefore are not separately listed. For example, pravahana also encompasses tears, sneezing and related expulsive processes.

Key terms

upayantrANi (upayantrāṇi)
Auxiliary aids associated with instruments; alternatively explained as lesser instruments.
veNikA (veṇikā)
A cord plaited from three strands.
pravAhaNaM (pravāhaṇam)
Expulsive effort or processes, interpreted here to include vomiting, purgation, tears and sneezing.
ayaskAntaH (ayaskāntaḥ)
A magnetic stone, for which the commentary lists four traditional varieties.